NUMBER TWENTY-NINE
Sliding in at number 29 is Shame with Songs of Praise. The post-punk outfit have made quite the name for themselves this year and after listening to this stellar debut, it's no surprise at all.
I'd heard a lot of good things about Shame before even listening to a song of theirs. So as soon as I saw them on the line up for Laneway Festival in Melbourne at the beginning of this year I made sure that I was there to check them out and form my own opinion. They definitely lived up to the hype, and then some. Charlie Steen is without a doubt one of the most powerful and charismatic frontmen that I've seen perform this year. the band as a whole have an amazing chemistry but Charlie's emotive yet at the same time "give no f***s" attitude whilst performing quickly bring the whole crowd up in a collective sea of mirth. All of this and it's only their debut.
Hailing from South London, the same neighbourhood that birthed bands like The Clash and Fat White Family, Shame deliver their lyrics - loudly and adamantly - to give the listener a look into their lives, their minds and their habits. Shame's use of repeated phrases and mantras throughout brought me back to Savages in their beginnings but a thought that ran across my mind often whilst listening to Songs of Praise is that they sound like a more mature Drenge (particularly on songs like "Concrete" and "Gold Hole"). It's been a couple of years now since I've been able to listen to and truly appreciate music in that vein as they all just seemed to fall into the same pot, and so Shame being able to set themselves apart in this genre made me admire them all the more. Their punchy lyrics and thumping drums could easily fill up any tent or stadium.
"The Lick" "Tasteless" and "Friction" stood out from the pack most for me - each adding a level of danceability to the rest of the fast-paced record. A far cry from the old school British TV programme Songs of Praise, Shame's offering replaces the slight hum of angelic children's choirs and pastors sermons with the snarling spit of young men's shouts and barks. This isn't an album that you'll be forgetting any time soon and if you get the opportunity to see them live at any point - grab it with both hands.
Have a look at what just slipped into the Top 30 last year here.
I'd heard a lot of good things about Shame before even listening to a song of theirs. So as soon as I saw them on the line up for Laneway Festival in Melbourne at the beginning of this year I made sure that I was there to check them out and form my own opinion. They definitely lived up to the hype, and then some. Charlie Steen is without a doubt one of the most powerful and charismatic frontmen that I've seen perform this year. the band as a whole have an amazing chemistry but Charlie's emotive yet at the same time "give no f***s" attitude whilst performing quickly bring the whole crowd up in a collective sea of mirth. All of this and it's only their debut.
Hailing from South London, the same neighbourhood that birthed bands like The Clash and Fat White Family, Shame deliver their lyrics - loudly and adamantly - to give the listener a look into their lives, their minds and their habits. Shame's use of repeated phrases and mantras throughout brought me back to Savages in their beginnings but a thought that ran across my mind often whilst listening to Songs of Praise is that they sound like a more mature Drenge (particularly on songs like "Concrete" and "Gold Hole"). It's been a couple of years now since I've been able to listen to and truly appreciate music in that vein as they all just seemed to fall into the same pot, and so Shame being able to set themselves apart in this genre made me admire them all the more. Their punchy lyrics and thumping drums could easily fill up any tent or stadium.
"The Lick" "Tasteless" and "Friction" stood out from the pack most for me - each adding a level of danceability to the rest of the fast-paced record. A far cry from the old school British TV programme Songs of Praise, Shame's offering replaces the slight hum of angelic children's choirs and pastors sermons with the snarling spit of young men's shouts and barks. This isn't an album that you'll be forgetting any time soon and if you get the opportunity to see them live at any point - grab it with both hands.
Have a look at what just slipped into the Top 30 last year here.
